comment 1

Public meeting on Long Branch severances

Ward 6 Councillor Mark Grimes and the City planning group held a public meeting last night at the Assembly Hall to address the growing frustration of Long Branch residents who have been coping with an explosion of applications from developers to chop up 50 foot lots and over-build on the resulting long, thin properties. It was the right thing to invite the community to come together, to provide information about the process, and to hear the experiences of local residents. I am not alone when I say I very much appreciate the work done by the Councillor and his staff to prepare the material, and as well I appreciate that he and the planners showed up and listened to the experiences of residents of our community, some of which did not reflect positively on The City.

Severance activity in South Long Branch - support material from the public meeting

Severance activity in South Long Branch – support material from the public meeting

The current system worked fine for 30 or 40 years, before Long Branch was targeted by developers, back when the Committee of Adjustment spent more time talking about proposed decks and small additions than Consent to Sever applications by developers out to extract as much money as possible from local properties. Planners presented a slide demonstrating the spike in severance applications. Developers have discovered the preponderance of 50 foot lots in our community and see dollar signs.

The current process deals with single property applications but the community needs a broader, more robust process that addresses the bigger picture, a process that is inclusive of the concerns of all the stakeholders – residents as well as developers, planners and politicians. Some change is inevitable and reasonable in Long Branch, but change needs to be planned and managed when it is extraordinary, as we are witnessing in Long Branch.

At the meeting, residents spoke of developers who simply discounted the Committee of Adjustment. “I’ll just take it to the OMB” is the chorus many of us have heard. I’ve heard it myself. The stats presented by the planners bear this out. At the OMB, developers are simply much more likely to succeed with even the most aggressive development plans than they are at the Committee level. One of the planners talked about a plan that has been put forward for consideration in which the City could initiate a process to handle Committee of Adjustment appeals, effectively cutting the OMB out of the picture. I don’t know what it will take for this to happen, but based on my personal experience (which was frankly horrible) attempting an appeal to the OMB, I welcome any move for change.

It was good that planners explained how the full process worked when a developer applies for Consent to Sever, although it was clear that many residents in attendance (there was a crowd of perhaps 150 people), have learned a lot about the process simply through first hand experience. That is true for us. We have participated at both Committee and at the OMB and we have sat through Committee of Adjustment sessions to watch the process and decisions in action.

Here on lower Twenty Seventh Street, we have recently witnessed a nightmarish situation in which a developer applied to destroy six trees, and when the application was refused, destroyed the roots of the trees anyway, rendering the trees so unsafe they all had to be taken down. One of those trees was teetering so badly that residents from one home were asked by Urban Forestry to vacate their home for their own safety until a top section of one of the trees was removed to reduce the hazard. During this activity, residents contacted Urban Forestry and Councillor Grimes’ office (and other departments as well) and were asked to supply video and photos to the Forestry people, who we are told, are actively investigating. It was pointed out by a resident at the meeting, that the highest ever fine for the illegal destruction of a tree in Toronto has been $18,000 with the average considerably lower. At what point is a fine simply the cost of doing business for developers who are eyeballing huge profits? Nobody should be allowed to benefit from the illegal mass-destruction of trees. I have spoken with the Forestry manager, and I am convinced they are doing everything they can within their mandate to pursue their investigation. I worry though that with so much profit to be made, developers will simply ignore the rules and do as they please.

Neighbours have witnessed unsafe work practices (which were described at the meeting), including a worker, unharnessed, sent up in the bucket of a piece of heavy equipment to pull trees down with a chain. Days earlier, at the same job site, we suffered a power outage of several hours at the lower end of our street when contractors hit a power line with their heavy equipment. After my wife told the hydro officials what a worker told her had happened, a contractor walked over to our house where she was gardening, took photos of her and our house and our car, in what I can only imagine was an attempt to intimidate her, and asked her why she told the truth. We need much better oversight and enforcement, and neighbours need a phone list of who at the City to call when bad things like this happen. This was an extreme case, but everybody is watching, including all the developers.

The public meeting was a good first step, but it was only a first step. I would have liked to have seen minutes taken, all the questions and comments logged by City officials and take-aways noted. Not all residents who wanted to speak had an opportunity – and they need to be given full opportunity to provide feedback to the Councillor and City officials. Perhaps more regular meetings are needed. Certainly a strategy for the preservation of the character of Long Branch is needed before it is gone.

I understand that a new residents/neighbourhood group is being organized. I support this 100% and will be happy to participate and help out any way I can. At this time, I think we need an organized voice in our community. One thing that is clear to me is that as neighbours in Long Branch have been in touch with one another, we have all become more educated about how to be successful in addressing severance applications.

I am pleased and encouraged to see that Councillor Grimes has recently been active in opposing severance applications (for instance the application to sever 4 Twenty Seventh St which was refused by the Committee of Adjustment). We were told that planners will participate at OMB hearings when directed to; however they are not always directed to engage. In my view, that needs to be reviewed. One of the planners at the meeting pointed out that they had heard criticism of the effectiveness of their participation at the OMB and steps were being taken to address that. Given the strong concern expressed at the meeting, I believe it is important for our community that The City give this a great deal of focus so that the City’s objections to aggressive severances are heard loud and clear at the provincial level.

Seeing so many people from our community (including numerous Twenty Seventh Street residents, who came out in force) at the meeting, demonstrated the level of concern across the community – and as was pointed out loud and clear last night, for all of Long Branch and not just South Long Branch.

I think there needs to be more discussion around two key terms. What constitutes “minor” as in minor variance, and how do we define character in Long Branch.

One of the planners suggested there is case law that says that a change can be “100%” and still be considered minor. If everything is minor then we have a problem we will never solve. If this is an issue of case law, I would like to see the City explore that. There needs to be a loud conversation. If there is no definition there can never be any accountability for destructive decisions and that has to change. I don’t accept the absurd idea that we have to accept that minor can mean anything. We need to give minor variance some real meaning in our community. Proposed major changes should be treated differently than applications from a resident who wants to extend a garage on build a new deck.

We also need to have an active and robust discussion about what we mean by character and how the character of our neighbourhood can evolve in a way that is acceptable for all concerned. What makes our community special, different from others? How do we define this in the context of a neighbourhood that is not in fact homogeneous – Long Branch has evolved in such a way that we have a complex of characters forming the broader community, and that is part of what makes us unique. At the same time, our community character is influenced by many things we share, such as proximity to the lake, the isolation from other areas due to the tracks and the expressway, and the wonderful mature canopy (and associated bird and wildlife) we see through much of the community. I think we need to collectively begin to define this so we argue it as effectively as possible.

comment 0

Channeling Hank Snow?

I only know the music of Meredith Axelrod via YouTube. I know she lives out on the west coast, and I also know she sometimes plays with another performer I really admire, Frank Fairfield. I don’t know if she has any recorded material available (if so, I want it), but I’ve been watching loads of her videos. She’s got something going on that is pretty rare. She doesn’t just sing a tune, she attacks it with a kind of confidence and assurance that says, hey you, listen up over there, I’m singing.

If you’ve been coming around this joint for some time, I’m sure you know that I love Hank Snow and I love train songs too. When I listened to Meredith Axelrod sing I’m Movin’ On, a little tingle crept down my spine. Sure it’s a home-made video shot in somebody’s kitchen, but I think maybe old Hank’s spirit was in the room. What you think?

comment 0

Spring Cleaning

Regular visitors here in the land of milk and honey know that from time to time I like to change up the look of the 27th Street blog. It’s that time again. I may mess with this a little along the way over the coming weeks but here is the new look, more or less.

comment 0

OK, the Hurdy Gurdy is not for everyone….

For those of you who prefer a bow to a crank, there is this excellent Swedish instrument called the Nickelharpa…

As I was listening to this, it occurred to me that it is only a matter of time until somebody tries an AC/DC tune on one of these puppies. It turns out I wasn’t far off…fortunately for all of us it is mercifully short.

comment 0

The Hurdy Gurdy and Medieval dance tunes

I came across an excellent demonstration video about the Hurdy Gurdy. It’s quite the complicated Medieval instrument with drones, melody notes and even a rhythm device, but it is beautiful in its own way, with a hypnotic quality.

comment 0

Painting cycles

Exhibiting a group of paintings marks a natural end to what I think of as a cycle of work. For me that cycle really ends a couple months before the exhibition. Yesterday was the last day of my show at Yumart, Ways of the World, but I completed the paintings around the end of January to give the oil paint plenty of drying time.

I work on groups of paintings rather than individual paintings and for Ways of the the World, I prepared 17 small canvases and panels going in. I like to surround myself with a lot of painting ideas and I paint in a small basement studio, so at times there are paintings up on a pegboard, paintings leaning against various items, lying on the floor, and so on. I also like to remove and add paintings to the mix I’m working on because it changes the dynamics, the relationship of the various ideas I’m messing with at the time.

And then the painting cycle comes to an end. I left one unfinished panel in the studio back in January. I was just out of juice. I’ll hide that one away in a corner of the studio for a while and one day I’ll add it in to a new group and see what happens. Having an exhibition gives me a welcome opportunity to consider the works as a group on some clean walls outside the studio.

This time, as it is most times, I look at the paintings and wonder how it is I made these things. At the heart of it, after all these years painting is still that mysterious to me.  Maybe that’s what drives me back for more. I recall years ago a sculptor I knew was asked where his images came from, where he got them. He thought about it for a moment and said, “I make ’em up.” Of course that kind of answer is usually not welcome. What is expected is a little capsule that sums up in English what the paintings are all about. Those little capsules may be handy but I don’t think they are usually all that helpful.

I’ve been thinking about a new cycle of paintings. I’ll go in with a bunch of ideas or images or motifs or whatever. Starting points. I need them, but usually I dispense with them along the way. I admire painters who conceive of a group of works and then execute in a linear and straightforward way. That is never the case with my work and there have been times when my inability to think about painting that way was very frustrating to me. These days I’ve come to terms with it. My paintings don’t happen quickly and the results are often unexpected, at least to me.

For quite some time, I’ve been making small paintings, what some people might derisively call “easel paintings”. This was not always the case. For instance, there is The Source, which I exhibited in a show called Canadian Shield back in the late 90s. It’s a big diptych, maybe 10 feet across

The Source

The Source

I had a storage unit full of works of that scale (a number of which no longer exist), paintings I was unable to find homes for, but for years couldn’t bear to part with, paintings that for the most part could only hang in exhibition spaces. However, I enjoyed stretching out and working on canvases big enough that I could barely reach all parts of them.

As well, I admire painters who work on a truly grand scale. I recall back when I was in university, Picasso’s Guernica was hanging at the Museum of Modern Art in NYC. I was used to seeing small pictures of it in art books and I wasn’t prepared for the experience of walking into the room and seeing this gigantic painting stretched out in front of me. It stopped me in my tracks.

Maybe one day I’ll work on a large scale again – I’m not discounting that as a possibility. Right now, I’m more interested in making paintings people can live with, paintings that can hang in a living room or a bedroom or a bathroom or a basement or a bathroom, paintings that can be part of someone’s everyday life, and the next cycle of paintings will again be modest in size.

Filed under: Art
comments 9

It must be morel season somewhere….

….because lots of people are stopping by a post I made way back on August 18, 2012 called No Mushrooms in Southern Ontario. I made this post to poke fun at myself and others who guard their mushroom spots. However, some people were not amused by it at all. Here is the first paragraph of that post:

In the last few days, an alarming number internet surfers have landed on my blog after searching for information on edible mushrooms in Southern Ontario. I would like to ease the troubled minds of these individuals right now. There are no edible mushrooms outside of grocery stores in Southern Ontario. None. Zero. Nada. Zip. Don’t even bother going out for a look. You won’t find any. Let me spell it out. Southern Ontario is a terrible place to go mushroom hunting. Ever since the edible mushroom blight of 2006, all edible mushrooms in Southern Ontario have either disappeared entirely or have been seen hitch-hiking to Quebec. As I mentioned in an earlier post back in the spring, Eastern Ontario and Quebec are both excellent places. I’ve heard North-West Ontario and Manitoba have their moments too. Here in Southern Ontario, though, I wouldn’t bother even trying if I were you.

I’ve taken plenty of abuse for this post. I’ve received some emails telling me off and calling me names + you can read the comments on the post. I thought it was pretty obvious at the time that I was kidding around, but I was wrong. I didn’t mean any harm, but I found myself in an area in which my sense of humour was not welcome. I’m hoping that those folks I ticked off are over it now over two years later. I do in fact forage for mushrooms in Southern Ontario and I do find enough for a few dinners. In fact I’ve made plenty of posts on this blog showing pictures of mushrooms I’ve collected. I don’t find the unbelievable bounty of fungi some foragers find, for instance in the mountain west or in many other areas, but yes I do find enough to keep me interested.

Some of the people who have landed on that slightly infamous post did so while searching for “Map of King Bolete locations in Southern Ontario”. Well, I don’t have any good locations for that species, but I can assure you if I did, I might be reluctant to publish a map on the internet. Same with morels. Sorry to disappoint.

I’m tempted to suggest that my morel spots are so top secret I blindfold myself…..that I toss camo-netting over the morel-mobile and sweep away the tire tracks, and crawl for miles on my belly in search of these tasty treats….but that would only get me in more trouble.

I enjoy wandering the woods with my dogs foraging for mushrooms. I like to go places where I can enjoy some peace and I like to go places where every edible in the forest hasn’t already been harvested. I’m the kind of guy who is apt to check where the local mushroom club is going foraging so I can go someplace else quieter. That is no knock against mushroom clubs. I think learning from experienced foragers is a great way to go. I just like to avoid the crowds. I’m happy if I come home with a modest basket of edibles. Every now and again I have a better day and have enough to dry for winter stews as well. These quiet spots are getting harder and harder to find, and that’s why people are secretive about where they go. By the time the honey mushrooms fruit in the fall the woods in easy reach of the city are crawling with foragers (not to mention hunters) and at that point I usually pack it in for the season.

Curiously, my best morel spot is right under the noses of all kinds of people who live nearby or hike the local trails. Another like that has been swallowed up in a housing development. This year though, I’m not paying much attention to the signs that morels might be fruiting since my broken ankle simply will not heal up in time to allow me any foraging before at least mid-summer.

For those inexperienced foragers out there, please be careful and don’t eat any mushrooms that you can’t identify with 100% certainty. I don’t say this lightly. There are some nasty mushrooms in Southern Ontario, some deadly ones and plenty of sickeners too and with some of these there are no second chances. It isn’t so hard to learn to identify some common tasty edibles that can be easily identified. Take the time to examine what you find in detail, and don’t go with “I’m pretty sure.”

comment 0

A fiddle adventure

I arranged for a primo table at Hugh’s Room for the April Verch Band’s CD release well before I tumbled from the front steps and broke my ankle – and we didn’t want to miss this show. There were some challenges. To start with, dinner and a show meant a long stretch without being able to elevate my leg, plus there were some logistical challenges. Hugh’s Room is a wonderful place but accessibility is not its strong suit. There is a staircase up to get in and then two short staircases down to get to our table near the stage. Fortunately there were good railings and I’m getting around pretty well on crutches. My bigger worry was the washrooms. To get from our table to the washroom meant going up two short stairs and then going down a significant stairway. This was really going to be a challenge. I dealt with this by restricting liquids, and fortunately, I didn’t have to make that difficult trip.

April Verch is a fiddler who comes out of the Ottawa Valley tradition (but whose music now includes the broader old time tradition). She started off step-dancing as a child and soon moved to fiddle. As a young woman she won both the Canadian Open and Canadian Grandmasters fiddle championships, and she has been touring with The April Verch Band since. We were wowed by her show at Hugh’s Room several years ago and were very excited to hear her play live again. Here’s a video from her website.

She calls her new recording The Newpart, which is a part of her parents home that was renovated around the time she was born. Not new at all, the newpart is where she practiced as a child and which obviously a place she has a great fondness for.

IMG_3528

Cody Walters has played bass and clawhammer banjo with the April Verch Band since 2007 and guitar and mandolin whiz Hayes Griffin has been with her since 20012. There was a special treat last night as well. Tony McManus, one of the finest Celtic guitarists around, opened the show with an inventive and magical set. April Verch joined him on stage at the end of his set, and as well McManus came back to play mandolin with the band at the end.

As well as playing fiddle and singing, April Verch has another instrument – her feet. Several times during the show, she flew into step-dancing breaks that were nothing short of fantastic, and at the end of the show, she played and danced at the same time. At one point in the show, she sprinkled something from a jar onto the plywood surface the band uses as a stage. This must have been some kind of sand, and she used her feet dragged across the plywood as a very effective percussion instrument.

We had a fantastic time with our friends at the show. By the end though, my leg was telling me that getting home, getting the aircast off, and elevating my leg was priority one.