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The Time Machine is ON

IMG_0698We just got in from a long walk with the dogs. Tuffy P is reading the Saturday papers and I just turned on the time machine. We’re listening to some fiddle and piano music on a 1980 recording called Old Time House Parties 1912 AD, with Ernie Valentine and Dorius Dyrland.

From the liner notes:

Ernie Valentine comes from the Pennant area of Saskatchewan. He began playing the violin at the age of 12 and has enjoyed playing ever since. While at a young are he played for dances in the Pennant area with Dick Williams on banjo and Bessie Cook at house parties. Later on he was joined playing at house parties by his two sons and two daughters. Over the years Ernie has had the privilege of playing with other local musicians, brothers George and Ed Lamb, Mart Bennington, Bessie Cook, Dick Williams and Dorius Dyrland. Ernie Valentine is 76 year old; he helped to establish the old time fiddlers in Swift Current in 1966. He still plays the violin but says that the fingers don’t work the same as they used to. However he still enjoys playing and remembering those hours of dance parties which were happy times with hospitality at it’s best.

and….

Dorius Dyrland was born and raised in the Kyle district of Saskatchewan. In his younger years he purchased a violin for $15 and began practicing. He later bought a better violin from Ruben Nelson for $50.00. Irvin Tritten on lead violin, Almer Dyrland at banjo, Dorius and brother Selmar playing violin and Dorius’ sister on piano played together in the Kyle Town Hall on New Years Eve and the 17 of May Norwegian Day. They also played at school house dances in the country on Friday nights, and dances at White Bear Hall. Dorius plays the piano and for four years chorded for Bill Williams. At 68 years he still enjoys playing and remembering the old time house parties.

 

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Thursday evening in The LB

This evening we sallied forth across the invisible border between Long Branch (or The LB as our neighbour Kate calls it) and New Toronto to a new joint called Ember. We used to go there when it was Long Grain Pan Asian food, but that’s ancient South Etobicoke history and Ember is the new kid in town.

The attraction tonight was live music – our friend and neighbour Chris Plock was playing along with a guitar player. Chris sings and plays all the saxes and clarinet and flute. Steve on guitar also sings, and these guys sound great together. It was especially fun because some other neighbours, Kate and Leon and Jolene and Phil came too. (by the way I realized tonight that I haven’t exactly told my neighbours I’ve had this 27th Street blog going since we moved here several years ago….surprise!)

For us it had to be a short evening, both because we get up at 5:30 weekday mornings so we generally can’t stay up too late, but as well, Tuffy P still needs lots of rest – regular readers will know that a little over a month ago, she became a liver donor, donating the right lobe of her liver to help give someone who needed one to live a fighting chance. It may have been a short night out but it was a fun one.

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I’ve likely confused some readers by talking about South Etobicoke and Long Branch and New Toronto – and I didn’t even bring up Mimico. Maybe I should try to explain.

A number of years ago, Toronto was amalgamated. The area in which I live was once the Borough of Etobicoke, quite a big area on the west side of the city from the lake to Steeles Avenue on the north. Toronto proper is to the east and Mississauga is to the west. Etobicoke itself, along the lake, had three distinct “villages”, once upon a time. These were:

  • Mimico on the east – from Fleeceline Rd and Louisa St to the east to Dwight Ave to the west and north to maybe Evans Ave (?).
  • New Toronto in the middle, from Dwight to 23rd St on the west
  • And Long Branch, from 23rd St west to Etobicoke Creek in Marie Curtis Park.

At some point in the 60s, the three villages were amalgamated into Etobicoke and in 1998 Etobicoke was amalgamated into Toronto. In spite of the efforts of politicians to chunk everything together (with a promise of big savings which somehow didn’t materialize, but that’s another story), residents around here still identify as part of Etobicoke and as part of one of the three villages. We might say we live in South Etobicoke or we might say we live in Long Branch, or if we’re talking with someone who has no idea about those places, we might even say we live in Toronto.

Our neighbourhoods are unique because they border Lake Ontario on the south and they are isolated from the rest of the city by both the rail tracks and the QEW/Gardiner expressway. One of these days, I’ll devote some space to some of the history around these parts.

Tonight, Kate was saying we should do a blog called The LB (for Long Branch) all about life in The LB. That’s when I mentioned that I run the 27th Street blog. I suppose I should have spread the word about it ages ago, but I guess I figured people would find this place if they’re interested. I know there are a few lurkers out there who live in the area. I post regularly as you know, but I don’t put much effort (translate: any) into promoting this blog. Of course there’s room for more than one blog on 27th Street – or maybe I can convince Kate to make some posts on this blog! Perhaps I’ll simply send her an invitation to post here.  Stay tuned.

 

 

 

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More tremelo?

Somebody landed on this blog today after searching the question, how to add more tremelo to diatonic accordion reeds. Good question. I happen to have the answer. The amount of tremelo has everything to do with the tuning.  Accordions have 2 or 3 or even 4 reeds for each key or button, tuned octaves apart. For very little tremelo – dry tuning, you want the pitch to be exactly or very close to exactly octaves apart. If you tune any of the notes a tiny bit sharp or flat, you get tremelo. You can find a much better explanation than I can give on Hans Palm’s Accordion Page.

In my experience, many Portuguese players like to have the wettest tuning, that is to say the most tremelo. I’ve heard that sound referred to as “wide-open musette”. It’s become a characteristic of their folk music. Here’s an example I found on YouTube.

If you tried to tune your accordion for any more tremelo than this, it would sound out of tune. Here’s an example of much drier tuning.

It’s much crisper and cleaner without much tremelo effect.

So the answer to the searcher’s question is to take the accordion in to a good tuner who will make the adjustments by scratching or filing the reeds. This is time consuming and can get expensive. It’s best if you know the kind of sound you’re after when you buy your accordion and you get one already tuned the way you like it.

 

 

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A Milestone

Georgie was born 7 months and 21 days ago. That’s not the milestone. I just weighed my little buddy and he’s not so little any more. He’s 101 pounds.

Memphis reached 108 pounds at a year and George still has over 4 months to go. Memphis is now 137 pounds, bigger than many female Newfs. It looks like Georgie is going to be much bigger than that by the time he’s done.

 

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Delicious savoury pies

Tuffy P brought me dinner today from The Pie Commission, located near Queensway and Islington here in Toronto. Check out their menu!  Tuffy brought me two of these small pies home for dinner, a chicken cheddar bacon mash pie and their special today, a pulled pork pie. The chicken cheddar bacon mash pie was excellent but the pulled pork pie was total smokey paradise. Perfect!

The Pie Commission gets the 27th Street seal of approval. 935 The Queensway, entrance at rear off Queen Elizabeth Blvd. Serious pie action.

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Why traditional music, #8468

There are new “old-time” tunes written from time to time, but many players prefer to find their own way to play songs that have been with us for a long time. Why write new songs where there are plenty of good ones around to play already? One of the things I love about old-time music – and by “old-time” I’m referring to mountain music or hillbilly music or Appalachian string-band music – is that most players know many of the same tunes but play them in any number of ways, all within a similar structural framework. It ain’t what ya do but the way how ya do it, or something like that.

Cumberland Gap is a good example. I’ve posted a few different versions on this blog in the past. Here are some more. Each of these performances is unique and yet it’s the same old song.

Here are Annie and Mac…

And here is Tommy Jarrell playing it on fretless banjo. This one has vocals as well…

Now let’s hear Wayne Shrubsall (banjo) and Bruce Thomson (fiddle) at the Albuquerque Folk Festival, June 2011

And finally, just to put things in perspective, here are Flatt & Scruggs with a bluegrass attack on the tune….

Some people prefer this bluegrass approach, and while I like it too, I’ll take an old-time performance with clawhammer and fiddle over a bluegrass band just about any day of the week.

 

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Instagram on 27th Street

I’ve been snapping quite a few Instagrams lately and most of these don’t make it onto blog posts. This evening I added an Instagram widget to the sidebar of my blog. You’ll see 10 thumbnails on the sidebar to the left. If you want to see any of the photos full-size, just click on any of them and you can see them on Instagram, and if you feel so inclined, you’re welcome to leave comments there or click the little heart if you just want to say, hey I like this one.

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My Blue Heaven

When I was a kid, my father liked to sing bits and pieces of songs around the house. He never remembered whole songs – mostly just choruses with an occasional verse. One of the tunes he like to sing was My Blue Heaven.  After I moved out on my own, I didn’t hear that song for a really long time but the next time I heard “When whipperwills call and evening is nigh…” it came right back.

Here are Jerron Paxton and Meredith Axelrod doing a fine job with it in what appears to be somebody’s kitchen. The jug is a nice touch.

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Muscle Shoals

We watched the 2013 documentary Muscle Shoals last night on DVD. The film features FAME Studios and Muscle Shoals Sound Studio in Muscle Shoals Alabama and has appearances from (among others) Gregg Allman, Bono, Clarence Carter, Jimmy Cliff, Aretha Franklin, Rick Hall, Mick Jagger,  Alicia Keys, Spooner Oldham, Keith Richards, Percy Sledge, and Steve Winwood, with lots of commentary by the members of The Swampers, the back-up band on so many hits, who started with FAME Studios and later left to form Muscle Shoals Sound Studio.

There is some great historical footage, as well recent commentary by many of the performers who recorded there. An amazing amount of excellent music was recorded in this town over the years and it was fascinating to learn about how FAME was started, the affiliation with Jerry Wexler at Atlantic Records and all the performers who traveled to this community in Alabama to get a taste of the funky and soulful Muscle Shoals sound.

If you’re a music lover, I think you’ll like this documentary a lot.

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Grooming Part II

Georgie went for his grooming session with the fabulous Lorraine yesterday and this morning it was Memphis’ turn. Georgie came along for company and got to play with his new pals Pele and Rollo.

IMG_0644After grooming, Lorraine had treats for the whole gang. Pele is the Old English Sheepdog. Rollo is just a little thing and she’s in the scrum there somewhere.

Photo on 14-03-23 at 2.03 PMAll this grooming reminded me that I was looking a little scruffy myself, so dropped the dogs off and headed to the barber shop.