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Finally saw the snowy owl….

There have been snowy owls hanging out in our neighbourhood since early winter and just about everyone in our neighbourhood has seen them…except me. That is, until this morning…

IMG_2954Unfortunately I don’t have one of those lenses that are a foot and a half long. All I had with me was my iphone. The owl is sitting on the docks. If you look between the rectangular box items on the docks you’ll see an irregular shaped blob. Through my trusty binoculars, it turns out that’s a huge snowy owl. He was moving his head around quite a bit, as if he was preening himself.

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“Knee Deep in the Hoopla” While in the Land of the Muskeg – Pilsen Quotation #1

After Wade Hemsworth songs, Huskies, Log Jams, Waltzes, etc. our guest from Pilsen exploded with the phrase Knee Deep in Hoopla! - and we are just getting this day started... heading for a walk with George and Memphis before hitting the road

After Wade Hemsworth songs, Huskies, Log Drivers Waltz, The Wild Goose and everything Mister Anchovy could muster,  Stagg explodes with the phrase: Knee Deep in the Hoopla – and we are just getting this day started… heading for a walk with George and Memphis before hitting the road

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Songs for your local log-driver

I was talking with my friend (and current houseguest) Anthony yesterday about Wade Hemsworth and how a couple of his tunes, such as the Long Driver’s Waltz and the Blackfly Song seem like they have been part of the Canadian experience for a very long time. Maybe they’re embedded into our genetic code by now. I think that has a lot to do with the National Film Board shorts created around these tunes. Here’s the Long Driver’s Waltz. I’ll bet most of my Canadian friends are very familiar with it, even if they don’t know Wade Hemsworth wrote it and Kate and Anna McGarrigle who performed it.

How many songs can there be about being a log-driver? As far as I know there are two, although maybe there are others I don’t know about. The other one is also a great tune. It’s by Mac Beattie and was recorded with his Ottawa Valley Melodiers.

I love these tunes about a Canadian way of life from another time. Who writes tunes for a resource-based economy these days?

CORRECTION…of course there is a 3rd log-driver’s song, The Log Jam Song (Whitewater). Here’s Mr. Hemswoth…

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Double birthday celebration

Last night we celebrated two birthdays – Tuffy P as well as our friend Alma – by going to to Scaramouche for dinner.Scaramouche is a fantastic restaurant – it’s a Toronto tradition now I suppose, as it has been operating for 35 years, and it still offers among the best dining experiences you can find in the city. IMG_1725That’s Alma enjoying a special birthday dessert. Check out the view of the city in behind.

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Morning walk, Jack Darling Park

The dogs love a car ride. I loaded them up this morning and drove west into Mississauga to Jack Darling Park, which has the best leash free area I’ve seen anywhere, designed around the water filtration facility. It’s big enough that the dogs get play time with lots of different dogs and also some time goofing around on their own.

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Junction Playground

As I was growing up in the 1960s (I was born in 1960), my parents ran a small business making aluminum windows  in the Junction near Dundas and Runnymede in Toronto. It was called Alumacraft. By that time business was pretty good and both my parents worked hard and worked a lot of hours. Their business grew mostly by word of mouth. They had all the work they could handle and the worked long hours.

During the summer break from school, when I was too young to be left alone, my parents would bring me to work with them. I would hang out at the shop and amuse myself however I could or I would be turned loose to play with the Junction kids in the lane-ways behind the shop.

It seemed normal at the time and I never felt I was in a dangerous place, but looking back, hanging out in a window factory was maybe not the safest daycare choice. I was never once injured there though, and it was a fantastic world for a kid to explore.

I loved watching my dad cut panes of glass. They had a device on which they rested the glass, positioned it for the right measurement, then cut it using a sliding device with a handle. I believe you had to squeeze a trigger and move the handle up and back across the pane of glass. Then you could gently snap off the off-cut. They had a metal garbage can beside the glass cutter, and the operator would smash any narrow off-cuts into the can by simply striking the glass against the edge of the can. Bang, bang, bang and the glass was in small pieces safely piling up in the can.

They kept me away from the radial arm saw area. That was the key job in the whole process – cutting the aluminum for the order. They had an old DeWalt saw and they lubricated the blades with a big stick of tallow. Cutting aluminum with a radial arm saw produces aluminum confetti, and my dad and Donny were always covered with it.

There was a big table in the centre of the shop with a wooden rail around it for putting together window sash. My mom did a lot of the assembly work, a job that was known as sashing. She would wrap a pane of glass with a rubber or plastic material called spline and then tap the aluminum onto the spline-covered glass with a mallet we called a wooden hammer. There were also a couple other machines around. I think they were punch-presses of some sort or another. Once the sash was made the windows would be assembled flat on the table.

There was a back room that consisted of a chaotic  office on one side and as screen-rolling area on the other. I was amazed at how fast my father or Donny could “roll screens”. They could have one assembled and rolled in a couple minutes. The aluminum frames for the screens would be assembled, and then held together with a couple of bangs on a metal point with a wooden hammer at the corners, simple but effective. A piece of screen cloth would be cut with a box-cutter such that it was bigger than the frame. A screen-rolling tool would be used to push the screen cloth into a groove all around, and to cut the screen to size. The same tool would be used again to secure the screen in place by rolling in round spline.

There were two diners in the area. One was June and Bills, on Runnymede right at the laneway that runs just behind the shop. It was an old-school 50s diner, and I was still a kid when they closed and were replaced by the Jumbo Burger that still exists there today. The other diner was east on Dundas half a block, beside Marsh’s Hardware. In the summers I was often sent to one or the other of them to get coffees for my parents and Donny and any assorted customers or Junction characters who often hung around the place.

Marsh’s Hardware was in fact run by a fellow named Marsh, and later by his son Kenny. I liked Marsh a lot. I recall he was a man with a rich sense of humour. Marsh had a peculiar talent. He could imitate the sound of a car experiencing a flat tire. I don’t remember now just what that sounded like but I remember being suitably impressed with this profound skill. These days it is Marsh’s Woodstoves. Marsh passed away many years ago, and I believe Kenny ran the place for a while. I heard he sold the business and moved back to the Maritimes.

There was another hardware store across the street from Alumacraft and closer to Runnymede, called Guffins. The sign said, Proprietor Syd Fink, I can remember Syd, and the folks who took over from him. It was one of these stores that had everything stacked and hanging around the store.

There was a drug store at the NE corner of Dundas and Runnymede. This was a significant building for us kids because of the fire escape behind it. The fire escape was held up by two metal poles and we used to climb the stairs to the landing, climb over the rail and slide down the pole like Batman sliding down to the Batcave. I sure Mom would not have approved if she knew we did that.

Up the street, near Keele, there was a place that gave music lessons. My sister took classes from Mrs. Gray and sometimes I would tag along and wait in the waiting room while my sister had her lesson. I can recall Mrs Grey singing, “sinc-co-pate, sinc-o-pate” as Susan played. Later I took some guitar lessons from a wonderful older fellow who smelled like cigars and who could play the guitar and sing old songs with lots of swing. The guitar never stuck for me though. I think I wanted to learn but wasn’t so keen on the disciplined practice part, so I got to a certain low level at which I could strum a bunch of chords and never progressed further. I didn’t really apply myself to learning an instrument until I was in my 40s when I decided I wanted to learn to play a button accordion. I thought stringed instruments just weren’t for me, but later when I started to mess with an oil can banjo, I realized I had found a stringed instrument I really loved to play.

The glove shop was across the street and a little east, and in the summers, I would go over to see Nanny. Just east of that, across a side-street, was Lynette’s Funeral Home. I recall Frank Lynette. He used to come into the shop to visit my dad and my dad would make a joke and say, “put away that measuring tape, Frankie, I’m not ready to go yet”. My dad told me stories about poker games over at Lynettes in the bad old days. My father loved poker and he loved betting horses, and at one point before he met my mom, I believe he was preoccupied with both.

Sometimes I would go with the Junction kids over to the railway tracks behind George Bell Arena. I don’t recall if the arena was there in those days, but that’s the spot we’d go.  It smelled bad there, as it was getting close to the stockyards.  There were regular freights. We liked to put pennies on the tracks and stand back as the engines ran them over. If you set the penny just right, the wheels would squish the penny, but it had to be on just the perfect spot on the track or else the penny would just fly off to the side.

Beside the shop there was for many years a vacant lot. When it rained there were big puddles in that lot and they stayed wet for days after a rain. We had a woodstove to heat the shop and there was a big bin of wooden off-cuts just outside the shop door, which were used to fuel the stove. I used them as building blocks, and I would build worlds out of blocks out in the lot on the edge of the puddles, which I imagined were vast lakes. Sometimes I would make little boats that I could sail across the lake and drift off into my own imaginary world for the afternoon.

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The Queen’s City Leatherworks

My grandparents on my father’s side lived in Chicago before moving up to Canada.  My father often told me stories of how my grandfather was a musician who played violin in what he called “pit bands” in Chicago. I don’t know anything about his background in the glove business, though, which afforded my grandparents and their family a decent living later in Toronto. Why move to Canada? My dad never talked to me about that, and now it is way too late for me to ask. I wish I had documented more of that family history. I know they moved up to Montreal first, as my father was born in Montreal in 1917.

It must have been in the early 1920s that my grandfather opened the Queen’s City Leatherworks in the area of Toronto known as The Junction. The Junction was part of West Toronto and it was a separate entity from the City of Toronto. It was also the junction of four rail lines, hence the name, and it was amalgamated into Toronto in 1909 (even back then we had amalgamation going on).

Another interesting historical curiosity about the Junction is that it was a dry community for the longest time. A quick search on the internet tells me that residents voted to make the community alcohol-free in 1904 because of the rough and rowdy drunken behavior of residents who worked in local industries. When I was growing up, and my father had a business in the Junction (one day I’ll tell you more about that), I remember it being dry from Keele west to Runnymede. On Dundas, just west of Runnymede there was a pub, and further west near Jane Street, there was a beer store and liquor store, both of which still exist.

Ontario was pretty conservative about booze in those days, although there were plenty enough drinkers. I recall going with my dad to the liquor store. It was a sterile place, not at all like today’s customer-friendly Ontario liquor stores. My father would write down the codes for the booze he wanted to buy on little slips, with those short pencils which for some reason we called golf pencils – the same ones they used to have in the old Consumers Distributing catalog stores. Dad would write down the code for Canadian Club rye whiskey, his usual poison, and hand it to a clerk behind a counter who would take the slip, walk away and come back with a bottle in a brown paper bag. Looking back, the whole business seems very bizarre. The Junction remained dry until residents voted to change that and allow alcohol to be served in the area – in 1998. Not surprisingly, this move is one of the factors that helped revive this neighbourhood.

The Queen’s City Leatherworks was on Dundas St W, on the south side, just half a block east of Runnymede. We always just called it The Glove Shop in our family. I can’t remember a Queen’s City Leatherworks sign on the building but there must have been one. They made gloves in a basement workshop. There was a retail store on the main floor that sold the gloves (which were also sold wholesale) as well as other items a railwayman might need, from overalls to hats to shirts and work socks. Behind the store, there was what I remember as a big dining room with a very large table. I can recall a somewhat cranky collie usually curled up under it. I think the kitchen was further back on the same level, and bedrooms were upstairs. Maybe my brother and sister, both older than me, can add to the description. I recall my grandmother – we called our grandmother on my dad’s side Nanny, different than our grandmother on my mom’s side, who we called Babcia – held court, often at one end of the big table. I don’t remember my Grandpa Lou that well. He stayed mostly upstairs when I was a child. I don’t know if he was just getting really old or if he was ill or what. I wish I remembered and I wish I knew him better, but I do recall that my mom or dad would sometimes take me upstairs to see Grandpa and that was always a special event. I also recall that when he wasn’t making gloves, my grandfather made and repaired violins.

My dad grew up in the Queen’s City Leatherworks, with brothers Billy, Harold, Eugene and Louis and sister Madeleine. There was a lot of music in that family. Harold had a big talent for piano from an early age. Eugene, like his father, went on to play, repair and build violins, and later became a well-respected violin maker in the Chicago area. My dad played clarinet and sax and drums and at one time played in dance bands. We had a photograph in our house of my dad playing the clarinet. It had been hand-coloured by my mom, who had a work-from-home job hand-colouring photos back in the black & white days. My mom knew I loved that photo and after I had moved out on my own she gave it to me. It still hangs in our house today. By the time I came along, my father had long given up music. Later, as an old man he talked to me about how much he loved to play the clarinet and how he had been thinking he might pick one up and start playing again. I thought about going out to buy him one, and at one point I started pricing them, but at that time his health had started to decline and when I talked to him further about it he said no he didn’t really want to play again.

Joe Knapik, my father

Joe Knapik, my father

My dad used to tell me that Grandpa invented what he called the “one-finger glove”. I have no idea if that is true, because when it came to my father’s stories, the gap between truth and fiction was narrow and variable. I do know that he made one-finger gloves though because as a child I had a pair. They were tough, made from lined leather, and they were a combination of a glove and a mitten, with one finger and a mitt. As I recall, they were quite long. They went half-way up my arm, flaring out to go over a winter coat. I loved those one-finger gloves because they were unique and because they were made by my family.

The thread they used for the work gloves had tremendous strength. One day when I was a child, my dad bought me a kite. It was one of those bat kites but my dad had me make long tail for it. He stopped by the glove shop and brought home a huge spool of this thread. Dad used to say there’s a mile of thread on this spool, son, let’s go fly that kite. We substituted the glove-making thread in place of normal kite-string. Our goal was to fly the kite out of site. We’d be in the neighbourhood park, and if there was a good breeze we would get that kite up there until it was just a dot in the sky. Because the thread was both strong and had a small diameter, there was less drag than with kite string, and we got great height. One windy day we got this kite so far up there I could barely hold onto it. That was so much fun. I suppose the pressure on the thread finally overcame its strength because suddenly it broke and we watched the kite disappear into the sky. I rode around the neighbourhood on my bike for hours trying to find where it landed and eventually convinced myself it must be in orbit.