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Ephemerata

I painted Ephemerata in the winter of 2001/2002, one of many paintings I created during what I can only call a ferocious flurry of painterly activity that winter. I made a lot of paintings in a remarkably short period of time. In fact this was the most prolific period of my painting life. I exhibited this painting, along with a number of others in the series at Loop Gallery. This one is about three feet wide. This painting contains some collage taken from some older paintings and is painted with oil and some industrial paints on canvas. Ephemerata is being adopted into a loving home where it will get the care and feeding it deserves.

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Terminal Beef

Terminal Beef is a painting I made in 1998. It’s done with oils and spray enamels on canvas. I think of this one as kind of a lone wolf, and it’s a painting I never exhibited. To give an indication of scale, I’d say this painting is about three feet wide. I’m happy to say this one will soon have a new home.

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Down

Yesterday between 6:00 and 6:30 pm, I was with the dogs in the dog park at the filtration plant, next to Sam Smith Park. I was talking to the owner of another Newfoundland who comes to the park when we noticed this helicopter getting lower and lower over the yacht club down by the water. It hovered for a minute and then landed. From where we were it was difficult to see exactly where it landed but it must have been either in the yacht club where the boats are wintered or in the field just to the east of that. We figured it was there on a rescue as it was one of the ORNGE helicopters. Shortly after, we heard sirens and then watched an ambulance followed in a few minutes by a fire truck and then a police car and then another fire truck. It turns out it landed because there was a problem with the helicopter and not to make a rescue. Fortunately everyone was safe.

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I Just Don’t Know What to Do with Myself

Son of a Preacher Man

Son of a Preacher Man (Photo credit: Wikipedia)

For tonight’s Daily Dose, I thought it was about time I featured Dusty Springfield here.  Most people I know would recognize some of the songs she recorded, but only a few would recognize the singer – and it’s too bad because Dusty Springfield was a really fantastic singer.

Here’s Son of a Preacher Man live…

She was born in 1939 and lived until 1999. During her performing career Ms. Springfield became known for tunes like I only Want to Be with You, Wishin’ and Hopin’, I Just Don’t Know What to Do with Myself, and of course Son of a Preacher Man.

Here’s I Just Don’t Know What to Do with Myself, a great tune written by Burt Bacharach and Hal David.

You Don’t Have to Say You Love Me…

Let’s go out with Twenty Four Hours from Tulsa. This is another tune by the amazing songwriting team of Burt Bacharach and Hal David, this one written for Gene Pitney.

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Stalling

Regular visitors to this taste of paradise know that I’ve been plugging away at a novel for some time now. I’ve never written a novel before. I have no idea how to go about writing a novel. For lack of a better strategy, I’m making it up as I go along.

I’ve been writing much like I paint, putting down ideas, trying them on for size, tossing them away, trying again, writing and rewriting and writing and rewriting, changing direction in mid-stream, writing and rewriting again. I read somewhere that Jack Kerouac wrote his On the Road manuscript in three weeks. Bastard.

I’ve been stalling, and partly my problem is that I know I need to make a significant plot shift.  It’s something I had dreamed up early on but have been resisting.  I’m convinced finally I need to stop messing around and make the change.  There’s some other things too. I need to find a way to insert some background material into the story that feels like a natural part of the narrative and not like I’m inserting background material into the story. I have to establish some of the past of one of the characters. It sets the stage for the way the story unfolds later, but so far I’ve just ignored it as something to get around to when I get around to it. Finally, I need to work on the voice of the narrator more carefully. I know I’ve got the feel I want in parts of the manuscript but in others I think it isn’t quite there.

Next week, I’m taking a few days off work and my plan is to wade into this mess and try to sort some of it out. Meanwhile here’s a little wee taste…

You would think we were pop stars from all the fuss going on out there. Johnny stepped on stage followed by Mira. A few of the punkers, drunk, lobbed pierogi more or less in their direction. Johnny and Mira they just ducked out of the way. Me and Maggie followed and Staash hung back. I gave everyone a few seconds to get their gear in place and leaned into the mic.

“I just want to say that Beattie and Brydida worked hard making those pierogi. Please eat them…. One an two…” and we kicked into a long intro. 

Staash appeared centre stage, picked up his Star Beauty and strapped it on. Only then did I see Sabina. She came from the other side, carrying a big cardboard box. Staash looked surprised. The band played on. Sabina put the box down on the floor, opened it up and pulled out an outrageous red and gold crown. She held it up to the audience before crowning Staashu King of the Concertina. He grinned and bent over a little to receive the gift and a kiss from Sabina, who turned  and walked off the stage  I didn’t find out until after the show she was leaving him.

Staash jumped in on concertina, pulling my accordion break to a close. Maggie and I moved up on either side of Staashu, Johnny slammed a symbol. The band stopped for a long second, and the three of us sang in unison, shouting the lyrics:
In Heaven there is no beer.

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Since She Started to Ride

Every now and again, I go on a little Jonathan Richman binge, listening to tunes like this one in my car. At times like that I think, this guy is such a great songwriter. And then one day one of his tunes will come on and I’ll think, naw, what was I thinking, and that will be the end of that for a while.

The lyrics in this one are a lot of fun. It has to have some of the quirkiest lyrics I can imagine in a song:

Well her jeans they get like a wet saddle blanket
And her boots are like you’d figure
And her car is full of hay
Horses, humans if she had to rank it
You’d bet on they that canter
And them that need fly spray

This is from a 1990 record called Jonathan Goes Country.