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A Blast From the Past…

Here’s a painting from 2011. It’s acrylic and found object on panel and it’s 68X44 inches. I call it False Morel or The Mycologist’s Bad Dream.False Morel.jpg

This painting has been hanging down in my little basement studio for some time. I keep it up because it makes me smile. It has not (yet) been exhibited, but I hope to change that condition. The found object is metal. It looks like it was once part of somebody’s muffler or something like that. I affixed it to the panel with two screws. I found this unusual object in a parking lot and drove it around in my car for months before deciding it was really a false morel and needed to be part of a painting.

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Twenty Feet From Stardom

Twenty feet from Stardom is the 2013 documentary from Morgan Neville exploring the world of the background singer. I was fascinated to learn that some of the same singers were the key voices behind so many big tunes. In some cases, the voices of singers like Darlene Love were used for hit records in which other singers were given credit.

This Oscar-winning  documentary is in parts tremendously joyful, celebrating the unknown heros of the music business but sad also, as it also explores the failures of some of these performers to break out as solo entertainers. Other backup singers featured preferred to stay in the background supporting star performers such as the Rolling Stones and Stevie Wonder, David Bowie and Elton John.

We didn’t watch Twenty feet from Stardom when it came out, and only caught up with it on DVD today. If you love music and enjoy a behind the scenes look at the music machinery, watch it if you get a chance. Entertaining and eye-opening. Recommended.

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Av Isaacs RIP

Av Isaacs was at one time the premiere art dealer in Toronto, operating both the Isaacs Gallery and The Innuit Gallery. I recall as a young art student going downtown to galleries, making the stop on Yonge St to see what was showing at Isaacs. There were so many fantastic  exhibitions by the likes of Gord Rayner, Robert Markle, John Meredith, Joyce Wieland and many more, including horror sculptor Mark Prent. In my eyes as a young guy who wanted to be a painter, this was The Big Time. Some of the exhibitions I saw at The Isaacs Gallery while I was in high school showed me the magic of painting and made me think, I want to do this, I want to make paintings too.

Mr. Isaacs closed the doors to the Isaacs Gallery in 2001, having secured an important spot in Canada’s art history. Although I did meet him on a couple occasions, I didn’t know Av Isaacs except as a huge figure in the Toronto scene. One day back in the summer of 1982, when I was working at the Harbourfront Art Gallery I was introduced to him by then Harbourfront Gallery director, the late Anita Aarons. I remember being nervous because to me, Av Isaacs pretty much had rock star status in the Toronto art world. In fact he was soft-spoken and friendly and happy to chat.  Mr. Isaacs passed on Friday at 89.

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Hair that could stop a bullet

Tuffy P and I were listening to Conway Twitty this morning over coffee. That man’s hair could stop a bullet. He could sing too. Hop into my time machine, and let’s watch the master at work.

Here’s David Bromberg covering Last Date. Mr. Bromberg does a killer version of this tune, in spite of having somewhat less spectacular hair.

Enjoying a twangy Saturday morning.

FREAKY UPDATE: I got my haircut today at our local swanky retro barber shop, The Nite Owl. I sat down in the chair and what music do they start playing? The very same Conway Twitty best-of album Tuffy P and I were listening to this morning. Perfect.

 

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Songs of the north country

I was thinking about Wade Hemsworth’s songs today. My friend Richard posted a tune on Facebook called The Cry of the Wild Goose (performed by Frankie Laine, no less), and the title immediately brought to mind Mr. Hemsworth’s haunting song, The Wild Goose. Of course after that I was done for. Wade Hemsworth songs have been going through my head all day, earworms all.

I think I was in my 20s before I even knew who Wade Hemsworth was, but I sure knew some of his songs. It seems I always knew The Blackfly Song as if it came with the Canadian DNA package. Do you remember the 1991 NFB short?

The same goes for The Log Driver’s Waltz. Again there was an NFB short, from 1979, performed so beautifully by Kate and Anna McGarrigle and the Mountain City Four. I could listen to this 100 times in a row and never tire of it.

Wade Hemsworth’s songs have a quality about them that makes them seem as if we’ve always had them. What a treasure.

 

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Old Jake Gilley

Do you know the old time fiddle tune, Old Jake Gilley? Here are some interesting takes on it. First up is The Deleuran Enevoldsen Duo

Now let’s speed things up a little with with Gene and Evo Bluestein…

Dwight Diller liked this tune so well he named a horse after it…

And finally, here’s a version I found on the YouTube featuring fiddle and two, count ’em two Jew’s harps droning away in behind.

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Shack Nasty

Here is a painting I made in the mid-90s, after a fly fishing trip to Montana with my friend East Texas Red. This is a good-sized painting, 6 feet or maybe even a little wider, oil and spray enamel on canvas. It’s called Shack Nasty.

I exhibited Shack Nasty in an exhibition called c.1996. It was an exhibition in an old warehouse in Toronto. I recall the landlord was nervous about renting to a group of artists. He insisted on holding 4 of my paintings against any damage we did. It was one of a group of exhibitions a core group of us put together on a shoe-string. We funded them with a silent auction and an opening party and by making and selling catalogs. Shack Nasty.jpg

Shack Nasty hangs in the living room of two of my dearest friends. I visited them the other evening, and so got to visit the painting as well – which also seems like an old pal.

With certain paintings I made a long time ago, I can recall specific moments painting them  and this is one of those paintings. It was a painting that was giving me a really hard time. I recall being very frustrated with it – in fact I was about ready to abandon ship on it –  when one day it all came together extremely quickly. I don’t have too much to say about this painting. The title came from an expression I heard or read somewhere about someone being in the bush so long he had the shack nasties.

I made a few paintings somehow inspired by that trip to the mountain west. There was one called Getting the Fuck out of Dodge. The title came from an experience in Bozeman Montana. East Texas Red and I were walking somewhere in Bozeman, maybe getting a bite to eat, and and there was a guy on the other side of the road who angled right for us. He said, listen boys, I just want to get me a six pack, hop me a freight and get me the fuck out of Dodge. Can you help me out? We did. There was yet another large painting I did after the same trip called Beef Trout Karaoke, the title from a sign in Hamilton Montana.

I don’t have words that can explain the relationship of these paintings to that trip. I will say though that without the trip the paintings could not exist. I think it was the same trip our car broke down outside of Hamilton Montana. We had it towed to a repair place in town but it was Saturday evening and the guy wasn’t open until Monday. We did the only reasonable thing we could do. Well, correct that. first we had chicken-fried steak for dinner. The next morning, we did the only reasonable thing. We visited the local fly shop, because fly shop guys know everything. The fly shop guy called the car rental lady at home and set us up with a rent-a-car and then directed us to the prettiest little cutthroat trout stream you might every want to fly fish. I really loved that stream a lot.

A couple years later, I was driving through Hamilton Montana again and so stopped at that fly shop to thank that fellow who gave East Texas Red and I such a nice spot two years earlier. He remembered me, and noted that little creek was fishing well again this year. I can tell you, it was.

 

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The Changing Face of Twenty Seventh Street: part 7

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I took this photo from a small window on the stairway going up to our bedroom. The builder next door has taken down the modest bungalow we knew as Nick’s place and has dug a huge pit. They haven’t done any work since the excavation. I guess the next step is to pour a foundation. Right now the pit is a mucky lake. I call it Nick’s Lake.

From my point of view, the quicker this guy finishes with his construction the better. The design he’s shown us for the large single family home there looks good, certainly a much better option than the severance the builder initially planned. I don’t know if he will be able to pour in these rainy conditions, nor what will happen if we now get a cold snap or a big snowfall I guess it remains to be seen.